this review contains a Real Audio clip -- look here for free software
by Brad G. Serling
brad@metaverse.com
Strolling through Central Park on New Year's Eve Day, it was
impossible not to notice the hordes of tie-dyed hippie types wandering
around glassy-eyed, kicking hackey sacks, and strumming guitars.
Were the Dead in town? No way. Garcia Band? Even less likely.
Of course! It's Phish! The Vermont quartet always mislabeled
as a "Deadhead" band. For the record, Phish has nothing
to do with the Grateful Dead aside from a penchant towards long,
improvisational jams and a different set list each night. Hence
the throng of fans that follow this band from town to town in
a fashion akin to Deadheads of yestertour. And, just in case
you were wondering, as of the close of 1995, the score of the
ongoing chess match between Phish and the audience is Band 1/Audience
1.
The word from Worcester's shows on the 28th and the 29th promised
greatness for this sold-out two night stand at The Garden. We
were not disappointed. Saturday's warm up for New Year's was
a rager by all accounts. The crowd was howling hours before Sunday's
show, lining up outside Penn Station waiting for the magic to
begin. Those lucky enough to get tickets (only a quarter of mail
order requests were filled, and Ticketmaster sold out in record
time) squeezed through the 7th Ave. entrance under the watchful
eye of Jerry Garcia, whose picture hangs in front of the ticket
windows inside The Garden.
With a bang Phish came on stage and ripped open the last evening
of 1995 with a Gamehenge classic, "Punch You in the Eye,"
which ran right into "The Sloth." Later in the first
set the quest for The Helping Friendly Book continued with "Colonel
Forbin's Ascent" and "Famous Mockingbird." In
between these two, Trey explained that when the band is not on
the road, they are busy running the Phish/Gamehenge Time Factory,
Incorporated. (Real Audio or 6 MB .au file) "There's trouble in Gamehenge right now,"
says Trey, as the band is in the middle of playing the gig and
can't be at the Factory to produce time. The people of Gamehenge
are helpless, of course, for without The Helping Friendly Book
they cannot manufacture time for themselves.
Wouldn't it be horrible, ponders Trey, if we were all stuck in
1994 listening to the same pop song over and over
(the band
breaks into Collective Soul's "Shine," with Phish lyricist
Tom Marshall on vocals). "That would be terrible, wouldn't
it?" jokes Trey after a rousing chorus. So, Trey continues,
The Great and Knowledgeable Icculus sends the Famous Mockingbird
up to the tower where The Evil King Wilson has stashed The Helping
Friendly Book. We don't hear from Gamehenge again until "Lizards"
in the second set.
After the audience put the band in check mate, to tie the score
at 1:1 for 1995, Mike opened the last set of the year with "Drowned"
from Quadrophenia, the featured album on Halloween 1995.
Mike had a hard time hitting some of the high notes, but it's
great to hear Trey pounding out those Townsend licks with such
prowess. "Axilla" lit The Garden on fire after an especially
bouncy "Lizards." Then came "Runaway Jim"
complete with Page on the funk-o-matic synthesizer and Trey playing
his own drum kit in front of Page's piano. Hmmmm
. Two drummers
.
Not a bad idea, guys!
"Mike's Song" kicked our butts into high gear for the
countdown to 1996. Instead of staying with the groove for the
whole suite, Trey announced after some considerably introspective
jamming that the band would be back in 15 minutes. During the
set break we curiously watched Fishman sit in a barber's chair
on stage and have his beard shaved under the watchful eye of his
mom, Mimi. That's odd
.
The house lights went out at about two minutes to midnight. Down
from the lighting rig on top of the stage came a bed-like platform
with all sorts of flashing lights and day-glo tape. The band
walked on stage in doctor's outfits and worked mysteriously downstage
with weird sounds pumping from the keyboards. It all looked like
a scene out of Young Frankenstien. The "doctors"
placed Father Time into the bed and proceeded to hoist the "patient"
up to the skies while the lightning started to flash and the current
flowed through the Vann de Graph generators. The countdown began
as the bed reached the ceiling.
The Dawn of 1996 saw a Baby New Year (Fishman) descending from
the smoky skies tossing confetti onto the crowd. At the same
time, huge bouncing balls fell from the upper perimeter of The
Garden. The band removed their doctors outfits and Trey picked
up his guitar to belt out "Auld Lang Syne" a la Hendrix.
Baby New Year 1996 made it over to his drum kit and the band
picked up the pieces with "Weekapaugh Groove." Out
of the clamorous jamming came a gorgeous "Sea and Sand,"
-also from Quadrophenia--sung by Page solo on his piano.
Then we were back into the thick of it with "You Enjoy Myself."
If you were Phish, where would you go after such insanity? Why,
"Sanity" of course! Check out the dynamics on this
one. And what better closer to the show than a rip-roaring "Frankenstien!"
After three action-packed sets, the "Johnny B. Goode"
encore was just icing on the cake!
Happy New Year to all and to all a good night. Get the tapes!
10
9
8
7
6
5
4
3
2
1
*FLASH*BANG*BOOM*!!!!
12-30-95 Set I Prince Caspian, 2001, Suzie, David Bowie, Simple, It's Ice (wacked improv section, like an incantation, Trey chants a poem featuring the phrase "Runaway Go-Cart Marathon". I think Marshall's behind this.) TMWSIY>Alvenu Malkenu>TMWSIY, Divided Sky, Sample in a Jar Set II Yamar, Free, Harry Hood, AC/DC Bag, Lifeboy, SOAMule (with LONG chops), Cavern, Antelope E: A Day in the Life 12/31/95 Madison Square Garden, NYC, NY I: Punch You In The Eye*, Sloth, Reba**, Squirming Coil***, Maze, Colonel Forbin's Ascent****->Collective Soul song->Fly Famous Mockingbird->Sparkle, Chalkdust Torture II: Drowned->Lizards, Axilla II, Runaway Jim, Strange Design, Hello My Baby, Mike's Song->outro# III: Auld Lang Syne/Countdown%->Weekapaug Groove%%->Sea and Sand, You Enjoy Myself, Sanity, Frankenstein E: Johnny B. Goode * with Landlady dance ** unfinished *** Trey fucked up part of the composed part **** With long narration about the passage of time and the band's role while off tour in the Phish/Gamehenge Time Corporation. The band asked what it would be like if we were back in 1994, and proceeded to play the "let your light shine down" collective soul song, sung by tom marshall # a la 12/29/94 Providence Bowie % Black sheaths are removed to reveal a mad scientist's laboratory behind the band. The setup featured large tubes, numerous lights, and a giant Van de Graff generator. Trey and crew played with the controls while Mike and Fish (or someone wearing his dress) bring someone in an all-white-Santaish outfit to a bed-type thing that has been lowered from the ceiling. It has radioactive colors and neon lights and they put the person on it. It rises, countdown begins, the guy on the riser is now somehow Fish, who throws confetti out to the crowd, big balls fall from the ceiling, trey starts auld lang syne. %% Serious Harry tease